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May 13, 2013
Judith Crispin or Hsien-Ku 's The Cartographer's Illusion explores how our own memories, our own experiences, overlay the act of seeing itself. The photograph becomes like a prism which transforms the light which passes through it – a language of symbols carved in light.
Judith Crispin The High Wall, 2011, from The Cartographer's Illusion
The photographs in this series represent the imperfection and strangeness of the life Crispin has been given, and its beauty and sadness too.
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