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October 10, 2009
Transformations Issue 15 (Nov 2007) is concerned with the influence that Walter Benjamin continues to have on contemporary thought. It seeks to create a dialogue between contemporary scholars, theorists, and writers from a range of disciplines and practices with Benjamin’s ideas on politics, art, and representation in the context of a shift from mass to global culture.
In From Flâneur to Web Surfer: Videoblogging, Photo Sharing and Walter Benjamin @ the Web 2.0 Simon Lindgren says that One of Walter Benjamin’s main points in the introductory parts of The Arcades Project was that technology and techniques contribute to a restructuring of the human sensory system.... He wanted to put forth that the forms of mediated reproduction which were emerging in the era of modern industrialism had an impact on the ways in which people organise their perception of the world around them. Benjamin illustrated his point by discussing how cars, trains and aeroplanes transform relations to physical space, as well as how new media such as photography and cinema reformulate previous conceptions of time and space.
This latter area of focus makes it particularly tempting to try to apply his analytical concepts on today’s intensified developments within the sphere of digital media such as Flickr. Here we have “the culture of real virtuality” in which “timeless time” and “the space of flows” have annihilated traditional time and place.
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