June 8, 2008
A lecture by Graham Coulter-Smith
Jonathan O’Hara Gallery
Robert Rauschenberg: untitled, 1968 from Transfer Drawings From the 1960s, watercolor and pencil
Coulter-Smith says that:
Rauschenberg and Johns challenged abstraction by using representational elements in their work. But in so doing they did not herald a return to the tradition of narrative painting that modern art had broken with. Instead they introduced a different way of dealing with imagery, one that is in many ways abstract. Instead of being concerned with visual abstraction, however, these artists were concerned with linguistic abstraction.
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