October 31, 2004

Heidegger, Nietzsche, will to power

Volume 3 of Heidegger's gigantic Nietzsche book is concerned with will to power. It interprets Nietzsche as the thinker of the consumation of metaphysics. Heidegger says:


"In the thought of will to power Nietzsche anticipates the metaphysical ground of the consummation of the modern age. In the thought of will to power, metaphysical thinking itself completes itself in advance. Nietzsche, the thinker of the thought of will to power, is the last metaphysican of the West. The age whose consummation unfolds in his thought, the modern age, is a final age. This means an age in which at some point and in some way the historical decision arises as to whether this final age is the conclusion of Western history, or the counterpart to another beginning. To go to the length of Nietzsche's pathway of thought to the will to power means to catch sight of this historical decision."

I have introduced Heidegger because he argues that will to power is Nietzsche's key idea, even if the book Will To Power, is not a published work by Nietzsche. It is a number of writings over different years assembled by others.

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October 30, 2004

the closure of academic philosophy

In a recent post on Enowning there is makes a good comment about our philosophical culture.

In this culture


"....many authors are not interested in the wide dissemination of their papers. They come from a tradition of exchanging ideas within a tight circle of specialists and striving to be published in certain prestigious journals. To them, being widely read, being popular, is not a concern, or even antithetical."

This is particularly the case in Australia. Both analytic and continental philosophy is, by and large, a closed academic circle of specialists whose presence on the internet primarily consists of home pages with their CVs and list of their publications on their university server. An innovative few have some of their papers on line as pdf files.

Enowning says that in a philosophical culture:


"There are people who are genuinely interested in philosophical subjects and eager to discuss it with other enthusiasts, and then there are those that have made an institutional career out of philosophy, and need to please their patrons to get grants, tenure, and get published. And there are the clever few that manage both, getting both the respect of their peers, their books sold in bookstores, and their ideas spread. I don't think there's anything wrong with being published in specialized journals, but in the long run, what's the point of doing philosophy, or anything else for that matter, only to have your work gather dust in a few libraries?"

My sentiments exactly. Philosophy needs to establish a more substantive online presence if it is to survive the ongoing neo-liberal attack on the humanities.

This weblog grew out of the academic philosophy and its outreach in the form of a philosophy cafe as an attempt to keep the conversation going, it has been spurned by academic philosophy. Even though it discusses similar material (Adorno, Heidegger, Hegel, Bataille ) philosophical conversations is not even listed on the philosophy jammm website.

Notable exceptions are this and this.

October 29, 2004

Different Nietzsche's

Just as we can talk about an American Nietzsche (Arthur Danto, Tracy B. Strong, Richard Schacht, Alexander Nehamas, Kathleen Higgins, and Gary Shapiro) so we can talk about Klossowski's Nietzsche and Deleuze's Nietzsche.

The latter work off Nietzsche's biological metaphysics of a multiplicity of conflicting forces of bodies, yet both move away from Nietzsche.

Klossowski ignores the processes of valuation whilst his conception of interpretation through the everyday codes in consciousness gives us a pre-social body.

Deleuze downplays the will to power as the stronger force that is commanding and ruling. What Deleuze stresses is that a stronger force does not exercise its power for the sake of negating a weaker force but only for the sake of affirming its difference. The differential of power between weaker and stronger is what Nietzsche, in Deleuze's reading, calls the will. The stronger the power of a force, the stronger the will, the stronger the desire to impose itself as pure difference.

This is quite different from Nietzsche who places the emphasis on power: on the stronger directing the weaker. Valuation is the will to power: a willing to be stronger, to grow----will as power.

Maybe we can contrast these kinds of readings of Nietzsche with those of Heidegger, even though the judgments of Heidegger's Nietzsche interpretation are mostly negative. That reading interprets Nietzsche as the prophet of nihilism, as an advocate of human subjectivity or self-insurrection (as lord of the earth, seeking a destined technological dominion over the earth), and diagnosed Nietzsche as embroiled in the same metaphysics he identifies and tracks.

Heidegger's interpretation of Nietzsche is dismissed as getting Nietzsche wrong--(misinterpretation) whilst the (mis) interpretations of Klossowski and Deleuze are celebrated as innovative and insightful. Heidegger's Nietzsche is what needs to be put to one side.

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October 28, 2004

Deleuze: on the pathway of difference

I'm struggling with Deleuze as I realize more and more that dialectics represented the system that Deleuze most detested. In reading the dense Repetition and Difference I'm trying to avoid simply condemning Deleuze's reading of Hegel, and his treatment of Hegelian multiplicity and becoming.

In the Preface to Negative Dialectics Adorno writes:


"Philosophy has, at this historical moment, its true interest in what Hegel, in accordance with tradition, proclaimed his disinterest: in the non-conceptual, the individual and the particular; in what, ever since Plato, has been dismissed as transient and inconsequential and which Hegel stamped with the label of lazy existence. Its theme would be the qualities which it has degraded to the merely contingent, to quantité négligeable [French: negligible quantity]. What is urgent for the concept is what it does not encompass, what its abstraction-mechanism eliminates, what is not already an exemplar of the concept. Bergson as well as Husserl, the standard-bearers of philosophical modernity, innervated this, but shrank away from it back into traditional metaphysics. Bergson created, by fiat, a different type of cognition for the sake of the non-conceptual. The dialectical salt was washed away in the undifferentiated flow of life; that which was materially solidified was dismissed as subaltern, instead of being understood along with its subalternity. Hatred of the rigid general concept produced a cult of irrational immediacy, of sovereign freedom amidst unfreedom."

The non-conceptual, the individual and the particular. Is not another name for this difference? Can we not see this in terms of Nietzsche affirming difference in opposition to a natural science (and we can add neo-classical economic science) that denies difference in favour of logical identity, mathematical quality and thermodynamic equlibrium? Difference is what is left over as waste matter by the conceptual structure of either economic and natural science.

A pathway has been opened up or disclosed. On this pathway---on this line of thought--- we find the discrete, the alienated, the remaindered, the repressed, the fragment,' diversity', 'otherness', and multiplicities. Is this not the pathway travelled by Deleuze and his conception of a difference that is not reducible to dialectical opposition, a difference "more profound" than a contradiction and a difference in the joyfully repeated affirmation?

What does that mean? Does it not mean an attempt to work out a non-contradictory, non-dialectical consideration of difference that is not envisioned as a simple contrary (negation) of identity? Is it not an attempt to work out a non-dialectical account of becoming? We can make some headway here with the help of this.

According to Deleuze in Hegel's dialectics the difference between one entity and another, what allows us to identify it, is established in contrast to what it is not. Why is this difference "external" to the entity in question or the properties that make it up? Because difference is unnecessarily translated into negation. In Hegel's terms, it is only via the universal that the particular becomes accessible to knowledge, the universal being the negation of the particular.

Subsuming difference under negation is a major mistake Deleuze imputes to the dialectical tradition. It is the detour through negation that keeps the dialectical conception of difference "external" to difference itself, or difference in kind. If we want to reach difference in kind, we cannot address the entities and their properties externally, by negatively comparing them to all others, but internally, that is, by asking what are the "things themselves" rather than what they are not.

This ignores Hegel's notion of internal relations and the internal dynamics, the tendencies within a entity, emerging properties and development, but never mind.

Deleuze's line of thought here is that a thing is the expression of a "tendency" and a tendency is a phase of becoming. A tendency can express itself only insofar as it is acted upon by another tendency and, therefore, tendencies never come isolated from one another but always in pairs. These tendences are expressions of relational but antagonistic forces

What is suprising is how biological Deleuze is. This is an organic metaphysics that reaches back to Aristotle, even as it destabilizes essentialism and turns its back on Hegel putting wheels on Aristotle.

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October 26, 2004

Klossowski, Nietzsche, Eternal Returrn

I've started reading Klossowski's 2nd chapter of Nietzsche and the Vicious Circle this afternoon. The chapter is called 'The Experience of Eternal Return' and I cannot make much of it.

People are advised to read Trevor on this.

In the chapter the eternal return is briefly described in Nietzsche's words as:


"...act as though you had to relive your life innumerable times and will to live it innumerable times---for in one way or another you must recommence and relive it."

Most of the chapter is about the subjectivity of the experience of an isolated individual involving forgetting, identity, intensities rising and falling with no meaning, a moving chaos of intensities without beginning or end, the vertigo of eternal return and reflections on this circular movement from bodily intensity to identity constructed by the codes of everyday language.

I was bored. I kept on looking outside at the trees and the spring rain lightly falling. I watched the waves rolling across the bay and the birds darting here and there. I struggled to return to the text.

I was annoyed with all the soul stuff that turned it into a mystical experience of ecstasy, revelation and renunciation. Zarathustra is a mystic surpassing his own limits, living outside meaning and sense; a mystic caught up in the image of a circle arising out of intense emotional chaos beyond knowledge and communication.

Why is so much fuss made of all this romanticism I kept wondering. It reeks of Bataille and hallucinations.

I bounced out of the literary words that purport to describe Nietzsche's 1881 Sils-Maria experience, that is supposedly unintelligible on Klossowski acccount.
We can contrast Nietzsche with Klossowski.

In Ecce Homo written in the autumn of 1888, Nietzsche writes the following passage:-


"The fundamental idea of my work--namely, the Eternal Recurrence of all things--this highest of all possible formulae of a Yea-saying philosophy, first occurred to me in August 1881. I made a note of the thought on a sheet of paper, with the postscript: 6,000 feet beyond men and time! That day I happened to be wandering through the woods alongside of the lake of Silvaplana, and I halted beside a huge, pyramidal and towering rock not far from Surlei. It was then that the thought struck me. Looking back now, I find that exactly two months previous to this inspiration, I had had an omen of its coming in the form of a sudden and decisive alteration in my tastes--more particularly in music. It would even be possible to consider all `Zarathustra` as a musical composition. At all events, a very necessary condition in its production was a renaissance in myself of the art of hearing."

Zarathustra was written in ecstatic moods of poetic creation. As a nomadic Nietzsche walked over hill and dale ideas would crowd into his mind, and he would note them down hastily in a note-book. He would transcribe them on his return often working late into the night.

In Ecce Homo Nietzsche describes the ecstatic moods of poetic creation thus:


"Has any one at the end of the nineteenth century any distinct notion of what poets of a stronger age understood by the word inspiration? If not, I will describe it. If one had the smallest vestige of superstition in one, it would hardly be possible to set aside completely the idea that one is the mere incarnation, mouthpiece or medium of an almighty power. The idea of revelation in the sense that something becomes suddenly visible and audible with indescribable certainty and accuracy, which profoundly convulses and upsets one--describes simply the matter of fact. One hears-one does not seek; one takes--one does not ask who gives: a thought suddenly flashes up like lightning, it comes with necessity, unhesitatingly--I have never had any choice in the matter. There is an ecstasy such that the immense strain of it is sometimes relaxed by a flood of tears, along with which one`s steps either rush or involuntarily lag, alternately. There is the feeling that one is completely out of hand, with the very distinct consciousness of an endless number of fine thrills and quiverings to the very toes;--there is a depth of happiness in which the painfullest and gloomiest do not operate as antitheses, but as conditioned, as demanded in the sense of necessary shades of colour in such an overflow of light. There is an instinct for rhythmic relations which embraces wide areas of forms (length, the need of a wide-embracing rhythm, is almost the measure of the force of an inspiration, a sort of counterpart to its pressure and tension). Everything happens quite involuntarily, as if in a tempestuous outburst of freedom, of absoluteness, of power and divinity. The involuntariness of the figures and similes is the most remarkable thing; one loses all perception of what constitutes the figure and what constitutes the simile; everything seems to present itself as the readiest, the correctest and the simplest means of expression. It actually seems, to use one of Zarathustra`s own phrases, as if all things came unto one, and would fain be similes: `Here do all things come caressingly to thy talk and flatter thee, for they want to ride upon thy back. On every simile dost thou here ride to every truth. Here fly open unto thee all being`s words and word-cabinets; here all being wanteth to become words, here all becoming wanteth to learn of thee how to talk.` This is MY experience of inspiration. I do not doubt but that one would have to go back thousands of years in order to find some one who could say to me: It is mine also!--"

It is inspired poetic creation that produces a book--not a mystical experience beyond language and meaning.

Oh well, back to my struggles with Klossowski.

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October 25, 2004

Deleuze & Klossowski

Just a quick point, Gary. I've got about five minutes before I have to leave to give a lecture on Proust, so my thought is elsewhere.

Klossowski dedicates his book on Nietzsche to Deleuze but Deleuze's book on Nietzsche is, from memory, nothing like Klossowski's. The latter's book is unique, Deleuze's less so. Once again, from memory, it is more a book against Hegel than on Nietzsche. In particular, it is a polemic against dialectics. Adorno comes to a similar point at the end of Negative Dialectics regarding the limits of dialectics as metaphysics - I mentioned this earlier during our heated discussion on Heidegger but I think you misunderstood it then. This is why I thought Deleuze and Adorno were rather similar. They both see the limit of dialectics. The difference is that Deleuze wants to bring this about through an act of will. Adorno, on the other hand, wants to complete the negative process, to bring about the end of dialectics objectively.

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October 24, 2004

Deleuze: a note

Now that I have some time to myself I've started reading Gilles Deleuze's doctoral thesis, 'Difference and Repetition', published in 1968. I had flipped through this complex big book written in the traditional academic style when I was working the long hours in Canberra, but I had neither the time or space to sit down and read it.

What I was able to read was part of the smaller Dialogues where the emphasis is not on correctness of ideas, but on new and different ideas. This text highlights how my training in philosophy was a plunging into the history of philosophy (analytic, Hegel, Marx, Nietzsche, Heidegger, Adorno etc) with its dangers of scholasticism. There were few gusts of fresh air to take us outside the academic confines of the history of philosophy. Nietzsche was the gale of fresh air blowing through the musty corridors.

Deleuze makes a good point in Dialogues when he says:


"The history of philosophy has always been the agent of power in philosophy, and even in thought. It has played the repressor's role: how can you think without having read Plato, Descartes, Kant and Heidegger, and so-and-so's book about them. A formidable school of intimidation which manufacturers specialists in thought--but which also makes those who stay outside conform all the more to this specialism which they despise. An image of thought called philosophy has been formed historically and it effectively stops people from thinking."

More on this by Dylan over at Poetics of Decay.

I haven't read Deleuze's book on Nietzsche, even though it is deemed to be a key French study on Nietzsche, which would help me to make sense of Klossowski's text on Nietzsche. From what I have read, Deleuze's text is about Nietzsche's metaphysics expressed in his 'The Will to Power'; an expression that constructs reality as a plurality of forces, with the play and interaction of forces forming the basis of existence.

Dipping in and out of it on the plane to and from Canberra I had noticed that 'Difference and Repetition', was about metaphysics. It marked the (poststructuralist) turn away from Hegel and Marx towards Nietzsche and Freud in French culture, was a rejection of the metaphysics of representation (model-copy scheme), the transcendent and the universal. It also develops a philosophy of difference that creates a new ontology of change (the the flux of existence) that is freed from a subordination to a logic of identity.

I presume that Hegel stands for a logic of identity that subordinates difference. Does it continue the old reading of Hegel as being all about the (movement of the concept) and not a changing material reality? This is the standard reading of the empiricists, who make their simple appeal to lived experience in the sense that all knowledge that we possess is derived from the senses and the senses alone.

Hegel appears to be the arch-enemy in Difference and Repetition:--the "French Hegel" is the repressive voice of reason whose dialectic represents the most extreme development of the logic of the identical.

Deleuze, however, is an empiricist with a difference. In the Preface to 'Difference and Repetition' he writes:


"Empiricism is by no means a reaction against concepts nor a simple appeal to lived experience. On the contrary, it undertakes the most insane creation of concepts ever." (p.xx)

As we have seen this idea of philosophy as an empiricist creation of concepts, or constructivism, is explored in 'What is Philosophy?'

What I found refreshing with Deleuze is that he does not divorce philosophy and its history from the fortunes of the wider world of civil society; Deleuze, following Nietzsche, intimately linked philosophy to civil society and the state, and to the forces at work there.

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October 23, 2004

Derrida, Heidegger, Spirit #4

Heidegger's attempts to reform the university are usually dismissed out of hand or not taken seriously. The Rectorial Address is generally not taken seriously, other than to condemn it as an example for all that is wrong with philosophy connecting up with politics.

A primary reason for this rejection is that the claim that Heidegger has attempted to politicise the liberal university, and that this is not on. This is a very common response in Australia: it is held by liberals the university should be autonomous institution in civil society and not be an instrument of the state; and by conservatives that it the university should not be transformed by a movement of radical politics (as with the 1968er's).

Yet this is what has happened to Australian universities through the neo-liberal mode of governance of the 1980s and 1990s. These reforms were designed to ensure that the universities' intellectual and material resources were to be treated as standing reserve for the Australian economic machine in a global world.

The crude reading of Heidegger is that he politicised the German university by turning it over to the Nazi movement: he beheads the autonomous liberal university and turns it into an instrument of Nazi politics.

Heidegger does make the university the site for a radical transformation in culture through the process of questioning our culture. However, this history transforming questioning of our philsophical culture involves reforms to education and provides the ethico-philosophical ends of Nazi politics, and so redirect the Nazi movement into becoming a part of Heidegger's ontological revolution. Heidegger understood his role as guiding the Nazi movement as their spiritual leader!

Update
Derrida recognizes Heidegger's conception of the process of philosophy questioning a national culture. He has some sympathy for it, given his role in establishing a lefty (1968er) version of this project in the International College of Philosophy. He says this institution was set up to try


"...to teach philosophy as such, as a discipline, and to discover new themes, new problems which had had no legitimacy, which were not recognized as such in the given universities. That was not simply interdisciplinarity because interdisciplinarity implies that we have given identifiable proper identities - we had a legal theorist, we had an architect, a philosopher, a literary critic, and they joined, they worked together on a specific type of academic object - that's interdisciplinarity. When you discover a new object, an object which up to now hasn't been identified as such or has no legitimacy in terms of any academic media or academic field you have to invent a new campus, a new type of research, a new discipline. The International College of Philosophy granted a privilege to such new themes, new disciplines which were not up to then recognized or legitimated in other institutions."

As we have seen he is critical of Heidegger's conception of historicity as fate or destiny because of the contamination of spirit by nationalism. He quotes Heidegger's understanding of spirit outlined in the two last paragraphs in this post.

Derrida says that these paragraphs have three readings, evaluations or interpretations. The author cannot exempt himself from any responsibility; the responsibility is exercised according to a strategy with an extra suprise in reserve-- spiritualizing the earth and blood of Nazism and setting apart Heidegger's commitment and breaking an affiliation; and speaking of the destiny of the west as a spiritual force.The price of the latter strategy is contamination by the racism, and biologizing of, 'blood and soil.'

start, -previous, next

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October 22, 2004

Heidegger: politics of the university#4

As we have seen Heidegger connects the possibility of philosophy (questioning) with the reform of the university (unity of the disciplines). He then links this to both the historical crisis he is living, which became manifest in WW1 and to a phenomenology and hermeneutics of everyday life. The historical crisis leads to an awakening that is supposed to re-establish Germany's dignity.

Heidegger connects these different strands thus:


"The self-assertion of the German University is the orginal, common will to essence. We regard the German University as the the "high school" which from science [Wissenschaft or true knowing] and through science, educates and disciplines the leaders and guardians of the fate of the German Volk.The will to the essence of the German university is the will to science as the will to to the hisorical spiritual mission of the German Volk as a Volk that knows itself in its state. Science and German fate must come to power at the same time in the will to essence. And they will do this then and only then when we--the teachers and students--- expose science to its innermost necessity, on the one hand, and, on the other, when we stand form in the face of German fate extreme in its extreme distress [Not]."

A complex passage!

How do we make sense of it? We have dealt with the science/philosophy relationship before. More here. The reform is to unify the disparate disciplines of the liberal university through shared commitment to ontological questioning.

Heidegger goes back to the Greeks to reconnect with a particular historical moment. He interprets this as a time when the culture of one Volk (people) rises up against the totality of what is and questions it and comprehends it as the being that it is. This is what the German people needed to do in the 1930s: to confront nihilism in general and the metaphysical assumptions that underpinned nihilism.

In many ways this connection between philosophy and politics reaches back to Fichte, who established a constellation of four concepts (crisis, nation, leadership, and order) which allowed him to mediate between philosophy and politics. I suspect that Heidegger modelled his rectorial address on Fichte's Addresses to the German Nation.

It is at this point that spirit or Geist is introduced by Heidegger:


"If we will the essence of science in the sense of the questioning, unsheltered standing firm in the midst of uncertainity of the totality of being, then this will to essence will create for our Volk as world of innermost and most extreme danger, ie., a truely spiritual world."

What then is spirit? Heidegger first says what it is not:


"...spirit is neither empty acumen nor the noncommittal play of wit nor the busy practice of never-ending rational analysis nor even world reason; rather, spirit is the determined resolve to the essence of Being, a resolve that is attuned to origins and knowing. And the spiritual world of a Volk is not its cultural superstructure, just as little as it is its aresenal of useful knowledge... and values; rather , it is power that comes from preserving at the most fundamental level the forces that are rooted in the blood and soil of a Volk, the powerto arouse most inwardly and to shake most extensively the Volk's existence."

And we come back to Derrida's, 'Of Spirit: Heidegger and the Question' from whence we began. For this is the very passage that Derrida selects to comment on. Heidegger's finishes the paragraph by connecting spirit to historical destiny:

"A spiritual world alone will guarantee our Volk greatness. For it will make the constant decision between the will to greatness and the toleration of decline the law that establishes the pace for the march of history upon which our Volk has embarked on the way to its future history."

Derrida interprets this asHeidegger elevating the spiritual, as determining historicity as spiritual and engaging in the exalting celebration of the spirit. It tightly links the self-affirmation of the university and the being-German of the people and their world.

previous start.

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October 21, 2004

More on pornography

Gary,

This is in response to your posting of October 18. It concerns pornography. On this topic, Gombrowicz has written:

"There is ... an immaturity which culture batters us against when it submerges us and we do not manage to hoist ourselves up to its level. We are 'infantilised' by all 'higher' forms. Man, tortured by his mask, fabricates secretly, for his own usage, a sort of 'subculture': a world made out of the refuse of a higher world of culture, a domain of trash, immature myths, inadmissible passions... a secondary domain of compensation. That is where a certain shameful poetry is born, a certain compromising beauty....

"Are we not close to Pornografia?"

If there is a whole host of people out there with these inadmissible secrets that we've been able to discover because of technological advancements, is not our culture responsible? Who or what has battered these people that they have retreated into their secondary realms of compensation?

Meanwhile, the fascist hysteria continues. Did you see the so-called 'debate' on Insight on SBS on Tuesday night? There was not a single attempt to address the issue that Gombrowicz raised, simply a constant vilification. If they look at these pictures they'll go on to make contact with children, etc. What about all the people who like adult pornography - do they go out and rape? do they have to make contact? The answer is a resounding 'no'. But nobody had the guts to even raise such points.

If some poor bastards get off on child-abuse images, shouldn't we be ashamed of our social organisation? Shouldn't we be asking how we can change it to ease the torture? No. WE want to solve it through more torture. What a bunch of wankers!

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October 20, 2004

tribute to Derrida

I have neglected to mention Derrida's death. This tribute by Mark Taylor will disappear from the New York Times in a week or so. So I am posting it in full, given the hostility to, and ignorance of, the texts of Derrida in Australia.

A tribute by Judith Butler can be found here.

What Derrida Really Meant

Along with Ludwig Wittgenstein and Martin Heidegger, Jacques Derrida, who died last week in Paris at the age of 74, will be remembered as one of the three most important philosophers of the 20th century. No thinker in the last 100 years had a greater impact than he did on people in more fields and different disciplines. Philosophers, theologians, literary and art critics, psychologists, historians, writers, artists, legal scholars and even architects have found in his writings resources for insights that have led to an extraordinary revival of the arts and humanities during the past four decades. And no thinker has been more deeply misunderstood.

To people addicted to sound bites and overnight polls, Mr. Derrida's works seem hopelessly obscure. It is undeniable that they cannot be easily summarized or reduced to one-liners. The obscurity of his writing, however, does not conceal a code that can be cracked, but reflects the density and complexity characteristic of all great works of philosophy, literature and art. Like good French wine, his works age well. The more one lingers with them, the more they reveal about our world and ourselves.

What makes Mr. Derrida's work so significant is the way he brought insights of major philosophers, writers, artists and theologians to bear on problems of urgent contemporary interest. Most of his infamously demanding texts consist of careful interpretations of canonical writers in the Western philosophical, literary and artistic traditions - from Plato to Joyce. By reading familiar works against the grain, he disclosed concealed meanings that created new possibilities for imaginative expression.

Mr. Derrida's name is most closely associated with the often cited but rarely understood term "deconstruction." Initially formulated to define a strategy for interpreting sophisticated written and visual works, deconstruction has entered everyday language. When responsibly understood, the implications of deconstruction are quite different from the misleading clichés often used to describe a process of dismantling or taking things apart. The guiding insight of deconstruction is that every structure - be it literary, psychological, social, economic, political or religious - that organizes our experience is constituted and maintained through acts of exclusion. In the process of creating something, something else inevitably gets left out.

These exclusive structures can become repressive - and that repression comes with consequences. In a manner reminiscent of Freud, Mr. Derrida insists that what is repressed does not disappear but always returns to unsettle every construction, no matter how secure it seems. As an Algerian Jew writing in France during the postwar years in the wake of totalitarianism on the right (fascism) as well as the left (Stalinism), Mr. Derrida understood all too well the danger of beliefs and ideologies that divide the world into diametrical opposites: right or left, red or blue, good or evil, for us or against us. He showed how these repressive structures, which grew directly out of the Western intellectual and cultural tradition, threatened to return with devastating consequences. By struggling to find ways to overcome patterns that exclude the differences that make life worth living, he developed a vision that is consistently ethical.

And yet, supporters on the left and critics on the right have misunderstood this vision. Many of Mr. Derrida's most influential followers appropriated his analyses of marginal writers, works and cultures as well as his emphasis on the importance of preserving differences and respecting others to forge an identity politics that divides the world between the very oppositions that it was Mr. Derrida's mission to undo: black and white, men and women, gay and straight. Betraying Mr. Derrida's insights by creating a culture of political correctness, his self-styled supporters fueled the culture wars that have been raging for more than two decades and continue to frame political debate.

To his critics, Mr. Derrida appeared to be a pernicious nihilist who threatened the very foundation of Western society and culture. By insisting that truth and absolute value cannot be known with certainty, his detractors argue, he undercut the very possibility of moral judgment. To follow Mr. Derrida, they maintain, is to start down the slippery slope of skepticism and relativism that inevitably leaves us powerless to act responsibly.

This is an important criticism that requires a careful response. Like Kant, Kierkegaard and Nietzsche, Mr. Derrida does argue that transparent truth and absolute values elude our grasp. This does not mean, however, that we must forsake the cognitive categories and moral principles without which we cannot live: equality and justice, generosity and friendship. Rather, it is necessary to recognize the unavoidable limitations and inherent contradictions in the ideas and norms that guide our actions, and do so in a way that keeps them open to constant questioning and continual revision. There can be no ethical action without critical reflection.

During the last decade of his life, Mr. Derrida became preoccupied with religion and it is in this area that his contribution might well be most significant for our time. He understood that religion is impossible without uncertainty. Whether conceived of as Yahweh, as the father of Jesus Christ, or as Allah, God can never be fully known or adequately represented by imperfect human beings.

And yet, we live in an age when major conflicts are shaped by people who claim to know, for certain, that God is on their side. Mr. Derrida reminded us that religion does not always give clear meaning, purpose and certainty by providing secure foundations. To the contrary, the great religious traditions are profoundly disturbing because they all call certainty and security into question. Belief not tempered by doubt poses a mortal danger.

As the process of globalization draws us ever closer in networks of communication and exchange, there is an understandable longing for simplicity, clarity and certainty. This desire is responsible, in large measure, for the rise of cultural conservatism and religious fundamentalism - in this country and around the world. True believers of every stripe - Muslim, Jewish and Christian - cling to beliefs that, Mr. Derrida warns, threaten to tear apart our world.

Fortunately, he also taught us that the alternative to blind belief is not simply unbelief but a different kind of belief - one that embraces uncertainty and enables us to respect others whom we do not understand. In a complex world, wisdom is knowing what we don't know so that we can keep the future open.

In the two decades I knew Mr. Derrida, we had many meetings and exchanges. In conversation, he listened carefully and responded helpfully to questions whether posed by undergraduates or colleagues. As a teacher, he gave freely of his time to several generations of students.

But small things are the measure of the man. In 1986, my family and I were in Paris and Mr. Derrida invited us to dinner at his house in the suburbs 20 miles away. He insisted on picking us up at our hotel, and when we arrived at his home he presented our children with carnival masks. At 2 a.m., he drove us back to the city. In later years, when my son and daughter were writing college papers on his work, he sent them letters and postcards of encouragement as well as signed copies of several of his books. Jacques Derrida wrote eloquently about the gift of friendship but in these quiet gestures - gestures that served to forge connections among individuals across their differences - we see deconstruction in action.

By MARK C. TAYLOR

Update
An excellent tribute to Derrida by Lisa can be found over at the wonderful CultureKitchen.

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October 19, 2004

Heidegger: the politics of university reform#3

This post continues on from this one Like the previous post it works off this article by Ian Thomson, as we move towards considering the politics of university reform in Heidegger's 1933 Rectorial Address entitled, 'The Self-Assertion of the University.'

As we have seen the role of the Rector is to unify the university around the various fragmented disciplines shared commitment to ontological questioning. This questioning awakens researchers to their implicit ontological assumptions, finds ways to disclose a new understanding of the being of their presupposed entities they study and transcends the older ontology. So the focus is on the unifying mission of the university at the expense of the academic freedom of individual researchers.

Heidegger opens the 1933 Rectorial address thus:


"Assuming the rectorship means committing oneself to leading this university spiritually and intellectually. The teachers and students who constitute the rector's following will awaken and gain strength only through being truely and collectively rooted in in the essence of the German university. This essence will attain clarity, rank, and power, however, only when the leaders are, first and foremost and at all times, themselves lead by the inexorability of that spiritual mission which impresses onto the fate of the German Volk the stamp of their history."

Heidegger then asks, 'Do we know this spiritual mission'? He answers this in terms of the essence of the university. What then is the essence of the university?

It is generally understood in terms of self-governance says Heidegger. So what is self governance? This is what has been understood to have been taken away from Australian universities as they have been transformed into corporations by the liberal state. Heidegger says:


"Self-governance means: to set ourselves the task and to determine ourselves the way and means of realizing the task in order to be what we ourselves ought to be. But do we know who we ourselves are, this body of teachers and students at the highest school of the German Volk? Can we know that at all, without the most constant and most uncompromising and harshest self-examination?...Self governance can exist only on the basis of self-examination. Self-examination, however, can only take place on the strength of the self-assertion of the German university."

Hence we have an appeal to philosophy as a Socratic questioning.

What then is the self-assertion of the German university? Heidegger says that it is the will to its essence. It educates and discplines the leaders and guardians of the fate German Volk. ' Fate' and 'destiny' indicate historicality of our being-in-the-world. Historicality refers to modernity and modern machine technology.


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October 18, 2004

Pasolini: Fascism & Pornography#2

Porn1.jpg
Axel Bruns

This post picks up on Trevor's earlier remarks, which Mike over at the Collective Lounge had picked up.

How to develop what Trevor has written? How about introducing Pier Paolo Pasolini's film Salo? This film is a loose adaptation of Sade's 120 Days of Sodom. Salò is situated in the last days of Fascism at the close of W.W.II. This film is chosen because it was banned in Australia for around 17 years---from 1976 to 1993 on the grounds that it was an offence against public taste (and would lead to the corruption of morals?)

Is the subtext here one in which all threats to middle class family life and romantic love must be policed?

Salo has not been given a video release in Australia and any application for one would probably coincide with calls for Salo's banning in the name of protecting family values from sexual violence, protecting the innocence of children; that using censorship to preserve public standards and community values. The right to screen Salo in Australia has been retrospectively withdrawn.

In the political reaction to the unbanning of Salo in 1993 Pasolini was seen as a sexual psychopath and Salo was seen as pornography by the pro-censorship discourses. This emerging new conservatism that built up around Pasolini and Salo in the 1990s turned the film into an imaginary object, less important for its actual content than for what it was seen to symbolise.

What is lost, or displaced, by the new conservatism is a critical discourse about a power politics (fascism) that comodifies the bodies of human beings and reduced them to things. It uses De Sade's work on sadomasochism to illustrate the perverse corruption and dehumanising practices endemic to the exercise of absolute power. Salo depicts the sexual degradation and torture of a group of young male and female prisoners by four high-ranking Italian Fascist officials. Here is a description of the plot:


"[Salo] is the story of four aristocratic noblemen during World War II. These four individuals: the Duc, the President, the Bishop, and the Magistrate, conceive an elaborate plan to kidnap eighteen teenagers and abscond with them to an isolated mountain retreat, taking along their own daughters (who the four main characters have swapped and taken as wives), an entourage of guards, and four prostitutes.

Once there, they will spend the next 120 days listening to stories from the prostitutes. Each prostitute has a different specialty—one tells of simple sexual passions, another tells more outré sexual fare (e.g. coprophilia, etc.), yet another tells tales of torture, and so on. Each libertine has a small entourage, which he can use as he pleases as the stories fan the flames of his desires. What ensues is a nightmarish vision of subjugation, degradation, and destruction of the human spirit as the four libertines continually assault their captives in order to procure their own pleasure."


Human bodies become sites for the inarrestible imposition of power in the form of fascism as sadism that has death as its end.

Something odd is happening in Australia when a film such as Baise-moi is banned, whilst the Hollywood violence of a Diehard series or the sexual perversions of Law and Order is shown on television. This indicates that it is sex that is problematic not violence; especially depictions of sex that are different from, and challenge, the mushy gushy visual diet of love and sex Hollywood-style.

The degradation of bodies, their use and abuse, torture, sadism, the corruption of eroticism and sexual relations, are the subjects of Salò. Pasolini believed that the fascism that had found fertile ground during the early to mid part of the century had not disappeared but had merely changed form. Consumer capitalism is the new cultural form, and it works by insinuating itself as protector of accepted norms, order and standards.

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October 17, 2004

Klossowski's Nietzsche

In this post I want to try and finish chapter two of Klossowski's Nietzsche and the Vicious Circle, entitled, 'The Origin of the Semiotic of Impulses'. I find the chapter hard going for little gain in understanding Nietzsche. I do not see what all the fuss is over. Maybe Trevor's friends can illuminate us. In the meantime this article by Trevor may help us.

As we have seen, in chapter 2, Klossowski is interpreting Bk 3 of Nietzsche's The Will to Power text, called 'Principles of a New Evaluation.' The emphasis is on Part 2, entitled 'The Will to Power in Nature.'

I argued that we need to think in terms of 'Klossowski's Nietzsche', due to Klossowki's idiosyncratic interpretation of Nietzsche's text (eg., his stuff about the soul, which Nietzsche rejects (para 491) in favour of the body; the excision of Nietzsche's emphasis on the process of valuation of preservation and growth (para 507), value judgements permeating sense perception (para 505) and our bodily responses in the world. Klossowski has no conception that Nietzsche ' idea of will to power involves a rejection of the mechanistic interpretation of being in favour of an organic one.

This reverses the standard overestimation of consciousness in modern philosophy arising from Descartes in favour of the body.

What then is the core of Klossowski's Nietzsche? What is offered is an organic metaphysics of a human being as an organic being.The emphasis of this metaphysics is on a chaotic series of bodily impulses (will to power) acting in league with each other, and sometimes opposed to each other in a perpetual combat (Freud's Eros and Thantos?) Subjectivity is a primarily a multiplicity of unconscious bodily impulses or desires.

The becoming of bodily impulses (desire?) is counterposed to the fixity of the signs of language, which provide the basis for culture and morality. Klossowski says:


"Every living being interprets according to a code of signs, responding to variations in excited or excitable states. Whence come images: representations of what has taken place or what could have taken place --thus a phantasm.

Commentators see this as breaking new ground. How come?

It is seen as a key term in Klossowski's interpretation. It refers to an obsessional image produced by the bodily impulses seeking an expression of their intensities. I presume that a key phantasm in Klossowski's Nietzsche is the image of eternal return or recurrence.

My reaction to this is, so what? Is this not a commonplace in psychoanalysis? It does clear up some ambiguity in Nietzsche ( para 506) about how images arise. I can grant that it is significant in terms of works of art, since it makes the art work a site for the artist's particular obsession or phantasm that then needs to be actualized by a repoduction through writing, drawing, or painting (a simulacrum).

But it doesn't add much to our understanding of Nietzsche. Or does it?

Klossowski's Nietzsche is one in which there is a perpetual conflict between unconscious impluses and consciousness or the everyday code of signs; a conflict premised on the code of signs attributing or designating an erroneous continuity, unity, cohesion etc to the individual as an organic being. Hence we talk about bodily feelings as the passions of the subject.

The perpetual conflict is within the individual arises from the impulses or forces of desire being subordinated to the the fallacious 'unity' of the 'subject ' and these impluses or forces constantly modifying it and making it fragile. Consciousness seek to repulse any movement in the flow of the fluctuating bodily impulses that seek to undermine its unity.

Again, what is the big deal here? Is this not pretty much a standard psychoanalytic view of the conflict between the unconscious drives and the ego. Maybe. However, it transgresses the individualism of psychoanalysis as we stand on the threshold of an ontology of conflicting forces and impulses. Klossowsk's Nietzsche says the unity of the agent (as a substance) is the conflict or the combat of the warring impulses or desires.

Nietzsche's metaphysics is one of becoming as a struggle of forces. However, Nietzsche's conception of organic being is structured around the valuations of preservation, growth and enhancement of the feeling of power of the individual (to a stronger type).

For Nietzsche there is a struggle between different kinds of life: between a sickly despairing life that cleaves to a beyond and a more healthy, richer less degenerate life. Hence the importance of ranking different kinds of life. (para 592).

Klossowski's Nietzsche is concerned with recover, and reconstruct a living being in conformity with the chaotic bodily impulses, thereby restoring a more implusive spontaneity to it. Hence freedom and the liberatory sentiment. This implies a shift from the categories of the conscious semiotic to a semiotic of impulses.

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October 15, 2004

Reading Klossowski

Gary,

this is merely a note to let you know that I am still reading, both your entries and the books that they bring into the picture. I am reading Chapter Two of Nietzsche And The Vicious Circle in response to your recent entry. I was tempted to repeat what I'd already raised in previous discussions about the basic core of Klossowski's ideas, but then I decided that I would go back and read the chapter again. After all, it is two or three years since I read it and then it was read in the way that one generally reads a book. I mean by this that I did not study it but simply read it. So this time I am going to study it. I've already started on the first couple of pages, which are fascinating, particularly the selection of Nietzsche's letters that Klossowski marshals in arguing his point. Anyone out there who is following this discussion should at least read those letters. They will give you a real feel for what is going on in Klossowski's mind - or, at least, what was going on. I'm also going to discuss it with a couple of friends. With any luck, some of this will translate into contributions to our philosophical discussion.

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October 14, 2004

Nietzsche v Klossowski

For the Nietzsche of The Will to Power the body and physiology are the starting point. (Para 492, Bk 3, Principles of a New Valuation). Nietzsche operates within an organic metaphysics of change and becoming, as distinct from the mechanistic mode of being of modern natural science, that is naively defended by Australian materialists as absolute truth and not as one interpretation in a field of competing interpretations.

For Nietzsche the chaotic bodily impulses express themselves in gestures and give rise to a particular perspective on the world, an instrumental reason directed at taking possession of things ( para. 503). Reason grows out of the earthly kingdom of desires (para 509) whilst humanizing the world is to make ourselves masters of it (para 614).

These bodily movements and gestures are expressed in signs and form a system of interpretations and valuations.

Thus Nietzsche says (para 507) that:


"Trust in reason and its categories, in dialectic, therefore the valuation of logic, proves only their usefulness for life, provided by experience--not that something is true. That a great deal of belief must be present; that judgements may be ventured; that doubt concerning all essential values is lacking--that is the precondition of every living thing and its life. Therefore, what is needed is that something must be held to be true--not that something is true."

Nietzsche says that the distinction between the real and apparent world depends on a valuation:


"We have projected the conditions of our preservation as predicated of being in general. Because we have to be stable in our beliefs if we are to prosper, we have have made the "real " world a world not of change and becoming, but one of being."

Klossowski misses the whole dimension of valuation in his interpretation of Nietzsche. What is excised is that our being in the world as organic beings embodies valuations. It is the question of values that is central to Nietzsche. So we can talk in terms of Klossowski's Nietzsche.

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October 13, 2004

Heidegger: the politics of university reform#2

This is a good article on Heidegger, the politics of university reform and the 1933 Rectorial Address entitled, 'The Self-Assertion of the University.' It takes us beyond the standard reading of Heidegger as an apologist for the German University, an advocate for the nationalism (Germanification) of the sciences and the politicization (Nazification) of the liberal university.

The earlier post indicated that the task of leading academic intellectuals (philosophers) is understood in terms of finding an appropriate historical way to carry on Nietzsche's struggle against the process of nihilism. This meant combating the growing problem of historical meaninglessness with the university needing to be renewal to enable this form of philosophical questioning of a fundamental ontology.

What Ian Thompson usefully points (pp. 19-20) out is that in the early 1930s Heidegger thought that he could dig beneath the regional ontologies of the various sciences to a fundamental ontology and engage in a destruction of that fundamental ontology (eg., mechanism) to uncover a fundamental ontology beneath history.

This is a falling behind the Hegelian insight that western culture is marked by a number of historical world views, basic metaphysical understanding or basic ontologies (eg., the mechanist one of modernity). The task of philosophy is a reflective one, in that it aims to make us aware of this mechanistic understanding of being and the way it shapes our thinking about the world and ourselves. It is a questioning of this understanding of being.

Ian Thompson says that Heidegger came to this historicist understanding of being in the later 1030s. Heidegger becomes aware of this when he actually engages in the destruction of the history of ontology called for in Being and Time. It characteristicizes the turning (Kehre).


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October 11, 2004

Klossowski: unconscious chaos

I want to return to a previous post and pick up where I had left off. That was chapter two of Klossowski's Nietzsche and the Vicious Circle, which is entitled, 'The Origin of the Semiotic of Impulses'. In this chapter Klossowski is interpreting Bk 3 of Nietzsche's The Will to Power text, called 'Principles of a New Evaluation.'

In the previous post we were exploring how Klossowski understood consciousness and unconsciousness and the way they inter-relate.

We had got to a philosophy of bodies flows events with a flickering memory that is maintained by the designations of the everyday codes. Klossowski had argued that these codes intervene in accordance with changing impulses, and they impose their own linkages upon these chaotic bodily impulses.

Consciousness is structured by the codes of everyday life. Klossowski says:


"Even when we are alone, silent, speaking internally to ourselves, it is still the outside that is speaking to us...Even our innermost recesses, even our so-called inner life, is still the residue of signs instituted from the outside under the pretext of signifying us in an 'objective' and 'impartial' manner---a residue that no doubt takes on the configuration of the impulsive movement characteristic of each person, and follows the contours of our ways of reacting to this invasion of signs, which we have not invented ourselves." (p.39)

If that is consciousness, what then is the unconscious?

Klossowski says that we cannot look for it in our dreams, since everything on the other side of the waking state is the same system of signs put to a different use. We cover ourselves with a blanket called understanding, culture, morality that are based on the code of everyday signs.

So what lies beneath this cover in the unintelligible depths of bodily impulses? Klossowski says it is nothingness, or what Nietzsche calls chaos. We are only a succession of discontinuous states in relation to the code of everyday signs, and about which the fixity of language deceives us. Our unity depends on this code even though we live discontinuously. So 'meaning' and 'goal' are mere fictions, as are the 'ego', 'identity', 'duration' and 'willing'. Nietzsche, says Klossowski, denounces the view that consciousness has an aim as an erroneous one. It is a false perspective.


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October 10, 2004

Heidegger: university reform#1

The general strategy of Heidegger's university reform can be located within Bildung, or the cultivation or development of our essential human capacities. This is a form of self-development to shape what is our own capacities through a mastering of the philosophical tradition.

For Geist (in Hegel's sense) to come into play this self-development needs to be connected to the national culture of Germany.

For Oswald Spengler in Germany of the 1920's this meant a historical cultural decline, a call for heroic leadership and intellectuals assuming cultural leadership. In contrast to the liberal (Weber's 'Science as Vocation') call for a rigorous value-free science and the university and academics to remain out of politics, Spengler's Nietzschean call was for a heroic response by academics to the historical crisis to take the form of revitalising Germany.

After some initial attempts to stay with both tendencies Heidegger basically goes along with Spengler's legacy of both Nietzsche's account of nihilism; and the Fichte/Humboldt vision of a distinctively German university as a place that integrates life and research as an open ended endeavour and is a communal institution with its own ethical sense of mission.

What united the university (its mission) was either Hegel's totality of knowledge or Humboldt's humanist idea of a shared commitment to the educational formation of character (bildung) and for forming fully cultured individuals. This is what Heidegger inherits, accepts and transforms. The totality of knolwedge is viewed in a critical manner: as a questioing of the fundamental asumptions of the total field of knowledge rather than the transmission of that totality. The humanist understanding of formation of character is transformed to enable individuals to be capable of undertaking that metaphysical questioning. Those who undertake this ontological questioning are doing philosophy.

What we have here is a rejection of philosopher as the underlabourer for science---philosophy tagging behind science straightening out its conceptual tangles in favour of the older conception of philosophy as the queen of the sciences. This is reworked in the Hegelian way of philosophy dealing with the ontologoical presuppositions of the positivist natural and social sciences that are largely accepted by working scientists, unless there is a crisis within that science.

Philosophy's domain, as it were, involves a shift from these presupposed regional scientific entities to a concern about how we understand being in general: eg., a general (fundamental) ontology underpinning the regional ontologies of the different sciences. An example is the materialist understanding of being as a mechanism, which most modern scientists accept as true.

This philosophizing as a critique of ontology is not an imperial philosophy putting science in its place; it is more a transforming of the sciences from within and breaks down the academic barriers and the disciplinary specializations.

The task of leading academic intellectuals (philosophers) is understood in terms of finding an appropriate historical way to carry on Nietzsche's struggle against the process of nihilism. This meant combating the growing problem of historical meaninglessness and renewing a national culture in terms of a questioning of the fundamental ontology that underpins science, the university and the nation.

A fundamental ontology would reunify the different disciplines and whilst those who grapsed this ontology should lead the renewal of the university. The renewal of the university means reforming the university to enable this kind of questioning. However, since little happened in the vitalization of a moribund and hidebound university in the 1920s, more active steps need to be taken to restore the university to a leading role in a national culture.

The assumption here is that the university takes a leading role in the national culture? That does seem to belong to another period. Today, after neo-liberalism, the conception of the liberal university is that it is an engine for economic growth in a world of nations. The university has been hitched up to wealth creation and the critical questioning of the national culture fades into the background.

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October 07, 2004

Derrida & Heidegger#3

In Of Spirit Derrida argues that Heidegger shifts from a critical stance to spirit (as Geist) in Being and Time in the 1920's to a fullblooded embrace in the Rectorship Address in the 1930s. As the Nazi Rector of Freiburg University Martin Heidegger aligned himself intellectually with the idea of “cultural renewal” advocated by the Nazis.

The text Derrida refers to is entitled the 'Self Assertion of the German University.' This makes mention of the destiny of the German people, their spiritual mission and their historical character. Derrida reads the self-affirmation of the university as the celebration of spirit and so the destiny of the west is a spiritual force.

Then we have this paragraph by Derrida about contamination and the way that we are caught up in the machine or law of contamination. What Derrida does not do is locate this within the context of Heidegger's general strategy of university reform.

So we need to look at this before we continue our reading of Heidegger.

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October 06, 2004

Fascism & Pornography

The current attack on the consumers of child pornography is typical of fascist administration. Already we have seen deaths, lives and careers ruined. We've seen people named and tried by the media. It's there - turn on your computer, go to google and zap! there you have it. But don't look. Good heavens, no! That's evil! That's depraved! What's next? Will we prosecute people for looking at billboards?

And all this is from people who say it's okay to conduct "pre-emptive strikes" against other people's countries - as long as they're not powerful enough to hit back harder than we can deliver our violence. All this from people who allow Australian citizens to be held illegally in death camps and concentration camps, who allow them to be tortured, who allow them to be subject to fascist show trials. All this from people who lock up innocent people indefinitely in concentration camps in Australia. All this from people who keep the native inhabitants of the country in similar conditions, all out of sight and out of mind. Well fuck them!

Who are the real criminals, the people who look at pictures or the people who administer these kinds of things?

If Balthus's art makes us feel uncomfortable then perhaps we should have a look at repression in our society and how it relates to our discomfort. But hey! Perhaps you shouldb e careful, Gary, about what kinds of pictures you publish on this site. There might be some retrospective legislation and one day they'll come around and take your computers away and name you in the paper. One day they might lock you up. Anything is possible with the kind of administration we have.

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worlds of silence

We have posted on Balthus before---Trevor has done so here. Gary's posts are here and here. I thought that I would post soem more images in the light of the media headlines about child pornography and the shift to ISP-based filtering that would allow authorities to regulate the content available to computer users.

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Balthus, Girl and Cat, 1937

Many of Balthus' paintings are about prepubertal girls in domestic situations who are discovering their sexuality. I presume these paintings would seen as the work of a dirty old aristocrat who got off on the bodies of young girls:a sexual pervert. The erotic appeal of the painting would be seen as quite calculated.

They would be seen as akin to, and a precursor of mainstream pornography's obsession with female "teens" and our market culture's fetishisation of girls and young women. It's teen porn that encourages consumers to see pre-pubescent girls and teenagers as sexual objects and as always sexually available.

Balthus' paintings express a world very different from ours. Another world in fact. What strikes me about this painting and many like it is how the common place gestures in everyday life hide a tragic universe of silence.

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Balthus (Balthasar Klossowski de Rola), Sunny Days

That kind of world is a commonplace for many of us.

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October 05, 2004

introducing another text

I want to introduce this text by Daniel Ferrer into Derrida's discussion of Heidegger's use of Geist or Spirit. It is relevant because it discusses Heidegger's engagement with Hegel and his Phenomenology of Spirit. It allows us into getting a handle on Hegel's understanding of Geist.

At around p.6 the text discusses various interpretations of Hegel's Phenomenology of Spirit that Heidegger mentions and dismissesas misinterpretations. The second interpretation is of interest: it says that the Hegel text is a typology of philosophical standpoints as forms of self-consciousness; or a series of world views put together in an arbitrary fashion.

This is a misinterpretation because Hegel argues that there is necessity in the process of the patterns of cultural forms of consciousness; a process that can be seen as the history of the patterns of consciousness. That historical process is the development of Geist moving twards absolute knowledge. In The Phenomenology history is essentially a history of spirit that thinks itself.

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October 04, 2004

Derrida & Heidegger #2

I struggle on with Derrda's text on Heidegger deconstructing Geist---Of Spirit. Heidegger and the Question, (Chicago 1989, I have come to a section about Heidegger linking Geist to destiny of the West as a spiritual force. This is very appropriate to the clash of civilizations thesis of the conservatives, where the freedom loving Anglo-American peoples take on Islamic civilization.

This is what Derrida says:


"What is the price of this strategy? Why does it fatally turn back against its "subject"---if one can use this word, as one must, in fact? Because one cannot demarcate oneself from biologism, from naturalism, from racism in its genetic form, one cannot be opposed to them except by re-inscribing spirit in an oppositional determination, by once again making it a unilaterality of subjectivity, even if in its voluntarist form. The constraint of this program remains very strong, it reigns over the majority of discourses which, today and for a long time to come, state their opposition to racism, to totalitarianism, to nazism, to fascism etc., and do this in the name of spirit, and even of the freedom of the spirit in the name of an axiomatic, for example, that of democracy or 'human rights' - which, directly or not, comes back to this metaphysics of subjectivity. All the pitfalls of the strategy of establishing demarcations belong to this program, whatever place one occupies in it. The only choice is the choice between the terrifying contaminations it asssigns. Even if all the forms of complicity are not equivalent, they are irreducible. The question of knowing which is the least grave of these forms of complicity is always there - its urgency and its seriousness could not be over-stressed - but it will never dissolve the irreducibility of this fact. This fact, of course, is not simply a fact. First, and at least, because it is not yet done, not altogether: it calls more than ever, as for what in it remains to come after the disasters that have happened, for absolutely unprecedented responsibilities of 'thought' and 'action'... In the rectorship address, this risk is not just a risk run. If its program seems diabolical, it is because, without there being anything fortuitous in this, it capitalizes on the worst, that is on both evils at once: the sanctioning of nazism, and the gesture that is still metaphysical." (p. 39-40)

What is missing from this text is any consideration by Derrida of Heidegger's radical reforms of the university in response his criticisms of the academic staus quo.

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October 03, 2004

Bataille, brothels & photography

Bettina Rheim's work Chambre Close, 2002, has affinities with Bataille and his experience of French brothels in the 1930s. The literary conceit of this work is of 19th-century erotica, in which a staid banker-type has a secret obsession to photograph young girls in anonymous hotel rooms.

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Bettina Rheim

The notes to the exhibition give the outlines of the project:


"In the manuscript devised by Serge Bramly to go with the series of Bettina Rheims's photographs, Mr X is a city-dweller whose ordinary and quiet life seesaws secretly the day he decides to let himself be guided by his long term pent-up urges. Pressed on by a sudden and invasive sexual desire, Mr X approaches young women at random during his daily encounters, without any precise aesthetic criteria and guided solely by their sensuality. Passing himself off as a photographer, he has them pose, one by one, in minuscule hotel's bedrooms against the printed coloured wallpaper, on dubious bed-spreads.

If Mr X feels an ardent desire, an irrepressible attraction for the woman he approaches, the desire is annihilated at the time of the shot. A voyeur becoming photographer, his sexual desire emerges as merely visual appetite, the affair is [then] more visual than carnal [anymore]. From the initial voyeurism of Mr X., the photographed woman's exhibitionism follows, this contradicts her modesty and the taboos that oppressed it, frees her to be revealed completely, confessing to the photographer as to a priest."

RheimsB2.jpg

Rheim's concern with getting all the elements of each photograph exactly right extended to having hotel rooms in New York redecorated to look like the French hotels in Chambre Close.

From what I can gather this was done when Madonna asked Rheims to photograph her in such a setting but said she could not find the time to go to France. Rheims scoured Paris to buy the wallpaper she wanted, and took it with her to the United States.

An article on brothels by a male who lived his life in them and who is familar with the seedy rooms of English brothels. Some discussion of the article.

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October 02, 2004

Derrida & Heidegger

I started reading Jacque Derrida's Of Spirit Heidegger and the Question this afternoon. The question refers to Heidegger's association with German National Socialism---Heidegger's infamous "accommodation" with the Nazi authorities throughout the years 1933-4; plus the various attempts to understand both the question of politics in Heidegger's thought and the thought that gives rise to that question.

As I understand it what Heidegger called 'Platonism' or 'metaphyics' or 'onto-theology' Derrida calls 'the metaphysics of presence' or 'logocentrism' (or, occasionally, 'phallogocentrism'). Derrida pretty much repeats Heidegger's claim that this metaphysics constitutes the core of Western culture. Both see the influence of the traditional binary oppositions as infecting all areas of life and thought, including literature and the criticism of literature. So Derrida entirely agrees with Heidegger that the task of the thinker is to twist free of these oppositions, and of the forms of intellectual and cultural life which they structure.

However, Derrida does not think that Heidegger succeeded in twisting free. Hence his critical stance to Heidegger. He does so by reversing Plato's (and Heidegger's) preference for the spoken over the written word. Derrida interprets Heidegger to be attempting to express the ineffable as a struggle to break out of language by finding words which take their meaning directly from the world, from non-language. This struggle has is doomed because language is, as Saussure says, nothing but differences: words have meaning only because of contrast-effects with other words. Consequently, no word can acquire meaning in the way in which empiricist or analytic philosophers have assumed:-- by being the unmediated expression of something non-linguistic (e.g., an emotion, a sense-datum, a physical object etc).

Of Spirit is dense in its deconstruction of Geist --which I generally interpret as a (national) culture in historical time along Hegelian lines, rather than mind as in individual mind. Derrida discusses both in Chapter 4.

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Posted by Gary Sauer-Thompson at 05:17 PM | Comments (0) | TrackBack

October 01, 2004

Klossowski: Nietzsche & psychoanalysis

In chapter two of his Nietzsche and the Vicious Circle entitled, 'The Origin of the Semiotic of Impulses', Klossowski says that Nietzsche's view is that the conscious life of the individual is subordinated to fluctuations of intensities of the impulses. On this interpretation there is the 'conscious' agent and the so-called 'unconscious' activity of impulses in relation to this agent --for it is the agent that is 'unconscious' of this 'subterranean' activity'.

What then is the relationship between the two?

Klossowski asks whether this relationship is different or the same as Freud's iceberg understanding of the relationship between consciouness and unconscious: ie., consciousness is but an iceberg in the sea of the unconsciousness.

Freud himself claimed to have been in important respects anticipated, though not influenced, by Nietzsche. He said he was surprised when first reading Nietzsche how much he fitted with his own discoveries. I've always understood Nietzsche in relation to Freud---a proto-Freud. Trevor, from what I can remember, does not.

Let us seen what Klossowski does with this issue. What I will do in this post is unpack the relationships as outlined in the text. He says:


"Inasmuch as exteriority is installed in the agent by the code of everyday signs, it is only on the basis of this code that the agent can make declarations or state opinions, think or not think, remain silent or break the silence. The agent thinks only as a product of this code."

The Stoic self-government of the soul make a distinction between the public world with its gender, class and status and its external goods and of wealth, honour and privilege on the one hand; and on the other, the private world or the virtues as states of the soul, and inner activity. All the ethical attention of their self-governance therapy is focused on the internal doings of the heart (the passions).

Klossowski goes on to say that:


"Now such a thinking agent exists only because of the greater or lesser resistance of the impulsive forces --which constitue the agent as a (corporeal) unity with respect to the code of everyday signs..Where does the ebbing flow of the intensity [of the impulsive forces] go?It overflows the fixity of signs and continues on, as it were, in their intervals: each interval(thus each silence)belongs(outside the linkage of signs) to the fluctuations of an impulsive intensity. Is this the 'unconscious'?

Klossowski answers this by asking another question:'What then is it that requires even the most lucid agent to remain unconscious of what is going on within itself'?

We are unconscious of the conflict of impulses going on inside us, in terms of fear, resentment, rage and emotional suffering resulting from living a damaged life. Hence the need for Stoic tonics, the transvaluation of all values or psychonalytic therapy to help us live a better kind of life.

Klossowski takes aim at this classical reading, as he sees Nietzsche to be engaged in destroying the foundations of morality:


"Nietzsche pursues his inquiry in order to make himself finally admit that there is neither subject, nor object, nor will, nor aim, nor meaning ---not only at the origin but for now and always."

What we are left with is bodies flows events with a flickering memory maintained by the designations of the everyday codes which intervene in accordance with changing impulses and upon which they impose their own linkages. As Klossowski puts it : we are possesed, abandoned, possessed again and suprised by the system of signs and by the flow of bodily impulses. It is the latter that confronts and invades us and outside of it we are little--depending on whether we appeal to the everyday codes; within the system of bodily impluses we know nothing.

The impression gleaned from this is that we are our bodily impulses.

Posted by Gary Sauer-Thompson at 11:49 PM | Comments (0) | TrackBack