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'An aphorism, properly stamped and molded, has not been "deciphered" when it has simply been read; rather one has then to begin its interpretation, for which is required an art of interpretation.' -- Nietzsche, 'On the Genealogy of Morals'

ocularcentric culture « Previous | |Next »
August 13, 2009

In her Sight Unseen Anne Marie Willis from Team Des argues that truth as correctness of the gaze became the basis of Cartesian rationalism --and we can add British empiricism and scientific positivism. She says that:

Vision was the model of knowledge for Descartes, and the theory of consciousness his thinking inaugurated was one in which there is a clear divide between observer and the observed, ‘a disembodied observer seeing with his mind’s eye’ as Jay puts it. ‘The look that sunders and compartmentalises’ became normative and integral to the development of Western culture (as cause and effect) — the foundation of science, exploration, art, technology and much else. Framed by modes of representation, correctness became a question of correspondence between sign and referent, and was codified into realist representational practices from classical sculpture, then later, with the invention of perspective, through to painting, photography, then moving image, then moving image plus sound …. and so on.

Willis adds that the drive was towards ever more ‘accurate’ techniques of the real which reached their apotheosis in analogue systems of representation, but which today have mutated into digitised simulations of
themselves. (Images generated by binary code no longer have any ‘organic’ link to their referents, unlike photographic images which are ‘caused by’ light bouncing off things and registering via chemical processes on film — today correctness of appearance still rules, but no longer with any contiguity between image and referent.)

Coupled to this mode of seeing is the rise of the sign-driven economy with its creation of desire through the look, the image, style, brand identity; here too is the dominance of the televisual, of spectacle, of the hyper-real.

| Posted by Gary Sauer-Thompson at 3:50 PM |