January 29, 2005
Okay let us try this out with respect to Bataille after reading a bit of Blanchot. I'm picking up Blanchot's idea of limit experience.
Bataille is concerned with a limit experience: he is trying through his daily experience to reach that point of life which lies as close as possible to the impossibility of living. By this is meant that he is trying to reach what lies at the limit or extreme.
Hence all the emphasis on the maximum amount of intensity and on the mystical impossibility at the same time.
How does Bataille do this? In On Nietzsche he grasps the significance of daily experience, not to reaffirm the fundamental character of the subject; but rather to "tear" the subject from itself. This is done in such a way that the subject is no longer the subject as such. We arrive at a state that is completely "other" than itself, in the sense that we arrive at the subject's death, annihilation or dissociation.
This process of tearing or de-subjectifying is a "limit-experience" as it tears the subject from itself so that it is no longer a subject.
Why do this? I'm not sure why one would want to live this way. Is it to prevent me from always being the same? However, it does seem to be what Bataille is doing.
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I'm not sure if I was ever right about this, but via his writings on Kafka, and also Beckett (see IC 326-331) I eventually came to understand Blanchot's conception of the "limit experience" as a kind of transcendental experience without transcendence, a "step *not* beyond" so to speak. In literary terms, if one accepts the experience of literary and poetic writing as a departure or taking-leave of words from their worldly bonds -- Heidegger calls poetic language a "withering of everyday speech" -- then literary and poetic language come to constitute a kind of "limit space" that is itself without limit. (an aside: this a conception that most literature academics will decidedly not accept or even entertain)
Some Blanchot commentators see the essays in IC as emblematic of Blanchot's "return to the world," which he had vanished from in the earlier works (Space of Lit. etc.). Fair enough. IC does indeed reflect Blanchot's deepening encounter with Levinas, and so some of the more "literary" concerns embedded in the earlier texts are re-cast in terms of an encounter with the world and history.
Hope this is helpful.